Brian D. Johnston www.MusicGearReview.com http://www.MusicGearReview.com
Fabulous! There’s a reason why guitarists try to emulate the sounds of the legends, and that’s particularly true of men like Hendrix and Townshend… the tones are memorable and captivating. The FuzzBubble-45 has done the best at re-creating these sounds and with incredible flexibility to help you dial into your own signature ‘Hendrix’ or ‘Townshend’ tone.
Joan Jett Joan Jett & The Blackhearts
I’m having so much fun with my “FuzzBubble-45,” at least when I can pry it away from Zach, my primo guitar tech, and Dougie Needles.
Colin Linden Guitarist for the TV Show "Nashville" & "Blackie and the Rodeo Kings"
The Analog Alien Rumble Seat is one of the best sounding and versatile pedals I’ve ever played through. I’ve used the RumbleSeat this year on several tracks for the ABC hit Television show, “Nashville.” I’ve also used it in numerous live performances and I’m simply loving this pedal! This company has such a fantastic aesthetic and I just can’t wait to try the rest of their pedals.
A great responsive limiter/compressor with pre-post option coupled to a channel strip – use it as a buffer, EQ, clean boost, overdrive-
This pedal is like adding another amp to your rig.
I believe in it.
Tim Lefebvre Bassist for - The Tedeschi Trunks Band, David Bowie
” the alien bass station is a game changer. The limiter is the bomb and the fuzz is very vintage sounding!”
Premier Guitar May 2011
Even with the tone down, the clarity was intact and sustain off the charts.
Bobby Dreher Professional guitarist, session work.
(About his Rumble Seat)
I love this pedal – makes every amp sound ” Classic ”
Soooo Dick Dale & Bill Haley
Tony Pasko Professional guitarist, for television shows and session work. http://www.tonypasko.com
I used to own a bunch of fuzz pedals until I played the Fuzzbubble 45! Now I only own a couple from Analog Alien. These guys know what a pedal should do and they understand that there is a performance aspect to the gear that it has to feel organic and let the personality of the guitar come through which is not an easy thing to achieve.